Oliver Roick's Weblog Nobody reads this anyway.

Posts from February 2024

Friday, 23 February 2024
Washington DC (IAD)
Los Angeles (LAX)
Melbourne (MEL)

Casablanca

— Everyone says it’s a classic. It’s got Humphrey Bogart and Ingrid Bergman in it, after all. But god, Casablanca is a dreary and soppy affair. What do we think will happen once Ilsa Lund enters the scene with her husband looking for kind papers that Rick Blaine came into possession just moments earlier? Surely, Blaine isn’t gonna flog them off to the highest bidder.

(1942) Director: Michael Curtiz. Screenplay: Julius J. Epstein, Philip G. Epstein, Howard Koch. Cast: Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains.

Thursday, 22 February 2024
Wednesday, 21 February 2024

Washington DC, 19 February 2024

OmegaBall

— Travelling the US is always an enriching experience. You get to enjoy Hotel TV showing programs like ESPN’s The Ocho, where they feature obscure emerging sports like OmegaBall.

OmegaBall is a version of football. OmegaBall inventor Anthony Dittmann says he came up with the idea because he didn’t like the slow speed of regular football and he “despises” the offside rule. So the obvious conclusion is not to start a 5-aside league or to watch Futsal instead. No, a new form must be invented that is played on a circular pitch, with three teams versing each other instead of two.

Always stay weird America!

Tuesday, 20 February 2024

North By Northwest

— Dosed with a bottle of Bourbon. Spent the night in prison and appearing before a judge, energetic, well-rested, not a trace of a hangover. Several days on the run. Tangled up in a murder conspiracy. An adult sleepover on the night train. Chased by a crop duster, spraying him with 1950s cancerous pesticides, forcing him to hide in a ditch. No shower for days. Yet, Cary Grant’s Roger Thornhill still looks impeccable. The suit maybe a little dirty, but not a single crease. The hair immaculate, as if it is a LEGO wig.

As a man in his early forties who works from home and doesn’t wear socks on most days, I’ve got to ask myself what I can do to look more like Cary Grant?

(1959) Director: Alfred Hitchcock. Screenplay: Ernest Lehman. Cast: Cary Grant, Eva Marie Saint, James Mason.

Sunday, 18 February 2024
Melbourne (MEL)
Los Angeles (LAX)
Washington DC (IAD)
Saturday, 17 February 2024

OpenAI’s Jason Kwon Does Not Understand the Web

What a cynical statement from OpenAI’s chief strategy officer Jason Kwon about their role in the Web’s content ecosystem:

“We are a player in an ecosystem,” he says. “If you want to participate in this ecosystem in a way that is open, then this is the reciprocal trade that everybody’s interested in.” Without this trade, he says, the web begins to retract, to close — and that’s bad for OpenAI and everyone. “We do all this so the web can stay open.”

He alludes to the reciprocal social contract that has allowed us to find content for 30 years: I run a website on which I publish content. I allow search engines to crawl my site and to download and index the content I created. In return, I get traffic. For certain key words, the search engine will show a link, which people use to visit my site and enjoy its content. I can monetise those visits by placing advertisements on my site or selling other merchandise like T-shirts, or books, or mouse pads with my face on it.

But OpenAI’s participation on the Web isn’t reciprocal. OpenAI crawls my site and downloads and trains it’s models on the content I created. These models power their products. OpenAI sells access to their models via their API or advanced features on their chatbot. They use my content to make money. The difference to Google is that they don’t give me anything in return. They don’t link to my site. Nor do they pay to access the content I created.

Without the content OpensAI downloaded from the Web, most of it for free, their models would be useless, they wouldn’t have a product. OpenAI is leeching of people’s work and creativity. They are breaching the social contract of this open ecosystem.

As a result the Web might indeed retract. Not because us content publishers find ways to prevent OpenAI’s bots from accessing our websites. But because products like OpenAI’s flood the Web with machine-generated garbage drowning out human-made content. The Web will retract because of companies like OpenAI, not despite them.

Friday, 16 February 2024
Thursday, 15 February 2024

Visit Dentist, Pay With Your Retirement Fund

— Received a text from my dentist:

We have decided to help you access your SUPER to pay for Dental Implant Treatment. We take care of the whole process. We have a few $75 consults including all the X-rays, open with one of our top dentists this month.

For context, SUPER is the Australian abbreviation for superannuation. This unsolicited message from a health practitioner suggesting to use money from my retirement fund to pay for basic services shows how years of short-sighted policy by a series of blatantly incompetent governments have hollowed out the country’s health-care system. How about, instead of asking people to dip into their retirement money, we tax rich people so a dentist visit can be paid for from Medicare? Just a thought.

Monday, 12 February 2024

The Super Bowl in Las Vegas: What Would Hunter S. Thompson Think?

The casino where Mr. Thompson found psychedelics almost irrelevant now begs for anti-depressants. It’s the kind of place where room rates start at $25, the pit boss’s suit is three sizes too big, and the air this week carried a scent of cigarettes, perfume and despair.

A man named Daniel, with his wife and two children tucked away in their room, sat vacantly at a slot machine late one night on the Circus Circus casino floor nursing a beer and staring blankly across the room. He was down a couple hundred bucks, hoping his luck would turn.

Nearby, a woman named Hazel, with fake Chinchilla boots and an obscene T-shirt that was far too small, lamented seeing a homeless girl win $500 and then proceed to tap away on the same machine until she was down to 56 cents. “If you got lots of money, you enjoy yourself in Vegas,” she said. “If you’re like me, with a couple hundred bucks, you’re here.”

Las Vegas is a depressing place.

Paint

— Admit it. You’ve watched The Joy of Painting with Bob Ross at least once, staring at the screen for an hour, mesmerised by what is unfolding before our eyes. Soothed by the gentle voice of Ross‘ instructions. Maybe you were slightly intoxicated at the time after consuming recreational drugs at a friends house.

There’s also a good chance that, given the state you were in, you and your friends started meditating about this man. Who is Bob Ross? What’s he like, off screen when he’s not painting? And if you were young, still a bit juvenile, you might have discussed how he must be incredibly successful with the ladies. Just look at his hair. And how he‘s driving an orange van, no the colour is Tangerine, and how he takes his latest score to his favourite spot near the shore of a lake surrounded by rolling hills covered in green canopy. And at some point, someone said, guys, guys, you know what, this should be a movie. And thus, the idea for Paint was born.

Paint isn’t about Bob Ross, but it’s fair to say Carl Nagle, the public-television painter played by Own Wilson, is very inspired by Ross‘ appearance and disposition. It’s an entertaining movie, not great, not bad either, funny now and then but not too silly. Watch it on a grey Sunday afternoon in February to cheer you up when you need a little colour in your life.

(2023) Director/Screenplay: Brit McAdams. Cast: Owen Wilson, Michaela Watkins, Ciara Renée, Stephen Root.

Friday, 09 February 2024

Headnodic – Epicedium

Thursday, 08 February 2024

Manuel Moreale rants about Arc’s new AI-powered search.

There are probably 700-billion-trillion pages out there but ARC has picked 6. Why those 6? No idea. Have those 6 paid to be there? No idea. Should I just trust that those 6 are reputable sources? Yup.

I wanted to quote more sections but almost the whole post is worth quoting. I suggest you read the whole piece yourself.

For J Dilla’s 50th birthday, Peanut Butter Wolf remembers the extraordinary producer:

The way he used technology to change hip hop makes it feel like the miracle of the pyramids. As a former hip hop beat maker myself, I can’t figure out what the fuck he did on some of that record, almost 10 years later, even though technology has now made it easier to do what was then not achievable in music production. And yet it’s not cerebral to the point of losing the funk or the soul of human feeling. His use of technology is only to accentuate the emotions of the music, not overpower them. It sounds simple until you hear the original samples that were used. Then you really appreciate Dilla’s craft at creating and in general, the art of sampling to make original music.

Time to listen to Donuts again today.

— After a redesign, the Ostthüringer Zeitung, a local newspaper from the town where I grew up, offers a link to their RSS feed prominently on their website next to links to other socials. I’d like to see more of that from bigger publications.

Wednesday, 07 February 2024

After a year in private beta, Bluesky will be opening for the public this week. Anyone can sign up, invite codes are not required any longer. If you loved Twitter before Musk, you’ll love Bluesky. If Twitter did your head in, then you won’t love Bluesky. It’s the same concept, same design, same people, and same mundane content. The underlying, decentralised technology is different but I doubt anyone but us nerds actually care about that.

Earl Phillips, now retired, has been painting shop signs on Cleveland for over 60 years. He painted his signs by hand, no stencils involved, and still producing beautiful flawless typography.

Tuesday, 06 February 2024
Monday, 05 February 2024

Connection at the Lume

— Connection, the multi-media exhibition at Lume showcasing aboriginal art from all over Australia has ended on the weekend. On Lume’s own event website, the exhibition was announced with the usual fanfare:

Connection was born from an idea to celebrate First Peoples’ art and music and give back to their artist communities. Within the brushstrokes and melodies of their art and music, this landmark experience tells the story of our country’s rich and enduring cultural history.

And that’s what it is: An experience with all its negative connotations.

Two small rooms that feature actual art. One is a collection of paintings hung side by side without apprarant curation. The other is Emily’s Wall, an admittedly impressive mural that is expanded by mirrors mounted on the room’s ceiling and floor giving the impression of an boundless artwork. Emily’s Wall should be the centre piece of the exhibition.

Aboriginal projected on huge screens in a big, dark room.

The most room, however, is taken up by the main hall, both in space and in Lume’s marketing. A humongous area broken up by canvases hanging from the ceiling. A continuous reel of animated art is playing, underlined by music and the occasional sound piece, each segment no more than a minute long. It creates a colourful atmosphere, the ideal scenery to gather photographic evidence that you were there. And so, few people are taking in the projections, many more are taking photos of themselves to post said evidence on Instagram.

All grandeur aside, Connection is no more than aboriginal art and culture repackaged in short videos and soundbites, optimised for the consumerist mind of the TikTok generation.

Sunday, 04 February 2024

I miss the internet: a zine:

From writer Joan Westenberg comes a digital zine reflecting on how the internet has evolved over the past 20 years. Packed with nostalgia for the early days of niche communities, amateur content and anonymity, it explores the current state of corporatization, algorithms and pressure to constantly produce.

This zine is for anyone feeling disillusioned by the internet’s lost potential and hoping to rediscover that early excitement of possibility. It asks the question - can we build a digital future that reflects the diversity, creativity and joy we glimpsed online in the past?

Nothing helps me rediscover the early internet’s excitement of possibilty more than a three-step process asking me to provide my email handle and full address to access a free PDF. Apparently a simple download link, you know the ones we had in 1998, isn’t enough. How am I supposed to take this seriously?

Thursday, 01 February 2024

Mandy Brown’s unified theory of fucks:

But if you give a fuck about the living, about all your living kin in all the kingdoms, they will give a fuck right back. Maybe not every one of them; maybe not every time. Some people’s bags have been empty for a long while, and they may feel the need to ration whatever they have; some people have been taught that to give a fuck is to lose something, not realizing that to withhold is what it means to lose. But I believe—I know from having given and received, from having lost and been renewed—that enough of them will come back that you can keep on giving, for a while at least, for as long as any of us has time to give.

That’s what work is, after all. Work—the action of change, the movement of energy from one being to another—is the means by which fucks are granted. Good work is the art of giving a fuck about the living. And all of us, every day, are faced with good work that needs doing, and good work that we can do.

I agree with the notion, the more fucks you give the more fucks you’ll receive. But in the context of work, the opposite is true. You get fucks back from your peers, sure; but from anyone above your pay grade, if you give a lot of fucks, they tend to take more fucks, until you run out of fucks to give. Unless of course, you like to talk about how many fucks you’re giving, which is a common replacement for giving actual fucks, but it works because it’s easier for the bosses to return the favour.

Iconfactory’s new Kickstarter Tapestry. An app that collates all of your feeds, from blogs and social media, into one feed, chronologically ordered, no algorithms involved. I want that; but as a desktop app, not on my phone.